Category Archives: My Art Projects

Artists, Australian art, My Art Projects

Back to work: art and writing

July 24, 2023 annettehamilton82 Leave a comment

It’s been a long time between posts on this site and I want to apologise. I have been increasingly absorbed by the experience of painting. My own painting has been moving in difficult directions and has raised all kinds of issues about art itself and the value of “doing it” as against just looking at it, or writing about it. I hope to take this up this up more in future posts. I have also neglected the still undeveloped site at annettehamiltonartist.com which has lain idle in the welter of activities. I have been fortunate to attend a number of classes and workshops with great old-school painters and I have continued work mainly on landscapes focussed on the Seven Valleys of the sandstone mountains. More or less at the same time I have gone back to my paintings based on the desert interior around Broken Hill.

My art site is being updated now, visit there for more of these works and recent reflections on painting.

annettehamilton.artist.com

Stunning light in the Megalong Valley: working on an oil of this scene

The Last of the Bitumen: Mundi Mundi, near Silverton: trying this one in acrylic

John Wilson’s stunning oil of road and trees in the Capertee Valley: I attended his workshop at this site in February 2021

My version of the same scene after rain: so much was wrong with it!

My new collection of short stories, Revolutionary Baby, has now appeared. It is available online from any e-book supplier for any device (Kindle, Kobo, Apple, Nook).

The paperback version was published in early August, and is now available for order from Amazon or other online retailers. Or, visit your local bookshop and put in an order. If it isn’t listed at your local library, ask them to purchase a copy, it is listed for Australian library purchses via Ingram Spark.

For more about the writing side of things visit my writing site annette-hamilton.com

The banner headline above this post is from a remarkable watercolour of the Capertee Valley by Conrad Martens. So many artists have been fascinated by this remarkable place with its strange landforms and brilliant light. I will write more about Marten’s painting in another post.

My Art Projects

Studios

March 28, 2018 annettehamilton82 Leave a comment

Was broken-hearted (and as everyone now says, blind-sided) to discover that we had to vacate Glenrowan after a scant six months and so say farewell to the beautiful new studio space I was so looking forward to using. I have to report that I never painted one single picture in it. That was in part due to health reasons, but have been thinking that maybe it was just too perfect to work in. And also too small. Strangely I don’t seem to have any photographs of it.

It is so difficult to find a great studio, or even just a satisfactory one. I now have the use of a good-sized room in my daughter’s new house round the corner from here. It is a good space, but right near the living and cooking areas of the house and I don’t want to use solvents there. This has led to a surprising decision: have decided to start working in acrylics for a while.

Also thinking about doing a lot more large-scale drawing/mixed media work – great for bushland scenes – and maybe exploring the water-based wax paint further. In my last post I put up some of the gorgeous flower photographs I took in spring last year. These may be worth trying in both acrylics and wax-paints. Again, though, I need the studio set up properly with good light and furnishings.

Unfortuately I really want to finish my K-Town series, and as it is in oils unless I work on it in the dark and cold garage. There are several unfinished canvases, and a couple I hadn’t yet started. Together they would make a great series or show, but I need the right space to finish them in.

Scenic World, 2015. Annette Hamilton from the K-Town Series.

I could write the history of my frustrated artistic efforts through a memoir of my studios. The Petersham studio was by far the best of all and I did good work there, but even so it was noisy and the oily dust from Parramatta Road got all over everything. Still, I was sorry to leave it. Hard to believe that whole space is no longer inhabited by any of us who were there for so many years.

Petersham studio 1 — The Petersham studio: packed up, ready to say farewell, 2017.

Heroic works and heroic spaces:

Eric Fischl studio 1 — Eric Fischl’s studio: height, space, light, the life sized mannequins.

Gerhard Richter Dusseldorf — Gerhard Richter’s Dusseldorf studio: the Abstrakts

And, in contrast, the quiet domestic intimacy of Elisabeth Cummings’ studio at Wedderburn:

Lis Cummings studio 1 — Elisabth’s studio at Wedderburn: after lunch (Photo; AH).

My Art Projects

Spring is sprung … silence is broken

October 11, 2017 annettehamilton82 3 Comments

apple blossom 17.1 — Apple blossom, Spring, 2017. AH.

It’s been a long silence I know. I closed up my Sydney studio and stopped painting, and writing about painting, while I focussed on getting some creative writing out into the ebook world. Two down and two to go in the next couple of months, I hope. Visit the Writing Zone for more on that.

So looking forward to the Gerhard Richter at QAGOMA in a few weeks. Was too late to get tickets to the one day seminar. It looks like a great program overall, although some seriously important work is missing. Apparently it was not possible to get the Baader-Meinhof works, and not sure how much of the 60s monochrome will make it either. It is going to be interesting going back to my earlier thoughts on Richter in the light of the exhibition. Every possible thanks and gratitude to the curators at Queensland, may they receive all praise for actually getting this to happen. More on Richter-related matters soon.

Meanwhile, spring has brought the most stunning sights to our gardens. I’ve always been fascinated by flower painting, but cringed sometimes at the way it so easily becomes twee and decorative. The formalism of the Dutch flower painters is fascinating but so close to mortuary in its stillness. What I saw in the gardens this year was vivid activity and movement, bees sweeping in and out of the trees, wind blowing tiny blossoms everywhere so they covered the grey concrete paths. Maybe I should experiment. These are all photographs taken casually in one or other of our gardens in the Blue Mountains, just in the past couple of weeks. Another Mountains project? Colour? Contrast? Form? Very different from the bush monochromes I was beginning to work on.